hispanic studies

Ayotzinapa: Crónica de un crimen de Estado.

This Sunday, October 16, the Late Night Film Series in conjunction with the LACLS program will be showing the documentary Ayotzinapa: Crónica de un crimen de Estado. Memorial Hall, 6:00 pm.

Date:
-
Location:
Memorial Hall
Event Series:

Enforcing equality: court rulings, indigenous women, and political participation in Oaxaca, Mexico

Within the last decade, Mexico´s federal electoral courts have taken unprecedented steps to promote affirmative action in favor of women´s political participation. At the federal, state, and municipal levels, this has largely meant rulings that support legislation on gender-based quotas for public posts.  A stumbling block to this affirmative action initiative has been the predominately indigenous municipalities that hold local elections through tradition and custom instead of universal suffrage and secret ballot. Legally recognized as part of indigenous people´s collective right to self-determination, election through custom and tradition has been difficult to fit into existing juridical logics of gender equality.  In the past three years, however, a growing number of electoral conflicts appealed to the federal courts have brought the question of indigenous women´s political participation to the forefront. I examine several of these cases to explore how the courts mediate between the question of collective self-determination and individual women´s rights, how they seek to promote a liberal notion of gender equality, and how women and communities are responding to their rulings in unexpected ways.  I argue that what is at stake is more than just women´s political participation; rather, these rulings reflect contemporary contestations over gender, indigeneity, modernity, and democracy in Mexico more broadly.  
Holly Worthen is a Professor at the Instituto de Investigaciones Sociológicas at the Universidad Autónoma Benito Juárez de Oaxaca in the state of Oaxaca, Mexico.  She received her Phd in Geography from the University of North Carolina at Chapel Hill.  Her work focuses on gender, migration, development and indigenous politics.

 
Date:
-
Location:
231 White Hall Classroom Building
Event Series:

Cinema, Slavery, and Brazilian Nationalism

By studying Brazilian films released between 1976 and 2005, Gordon examines how the films both define the national community and influence viewer understandings of "Brazilianness." Though the films he examines span decades, they all communicate their revised version of Brazilian national identity through a cinematic strategy with a dual aim: to upset ingrained ways of thinking about Brazil and to persuade those who watch the films to accept a new way of understanding their national community. 

Date:
-
Location:
Niles Gallery

Cinema, Slavery, and Brazilian Nationalism

By studying Brazilian films released between 1976 and 2005, Gordon examines how the films both define the national community and influence viewer understandings of "Brazilianness." Though the films he examines span decades, they all communicate their revised version of Brazilian national identity through a cinematic strategy with a dual aim: to upset ingrained ways of thinking about Brazil and to persuade those who watch the films to accept a new way of understanding their national community. 

Date:
-
Location:
Niles Gallery

Cinema, Slavery, and Brazilian Nationalism

By studying Brazilian films released between 1976 and 2005, Gordon examines how the films both define the national community and influence viewer understandings of "Brazilianness." Though the films he examines span decades, they all communicate their revised version of Brazilian national identity through a cinematic strategy with a dual aim: to upset ingrained ways of thinking about Brazil and to persuade those who watch the films to accept a new way of understanding their national community. 

Date:
-
Location:
Niles Gallery

Cinema, Slavery, and Brazilian Nationalism

By studying Brazilian films released between 1976 and 2005, Gordon examines how the films both define the national community and influence viewer understandings of "Brazilianness." Though the films he examines span decades, they all communicate their revised version of Brazilian national identity through a cinematic strategy with a dual aim: to upset ingrained ways of thinking about Brazil and to persuade those who watch the films to accept a new way of understanding their national community. 

Date:
-
Location:
Niles Gallery